A comment on Alan Henning and ‘Another Message to America and its Allies’

This post examines the video ‘Another Message to America and its Allies’ which purports to show the decapitation of the British taxi driver Alan Henning. As with previous videos in this series I look for evidence of emotional authenticity and emotional deception. Is this video what it claims to be?

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The video follows a now standard format. It begins with a short news report on the British parliament’s 26 September decision to authorize British air strikes against Islamic State targets in Iraq, earlier that very day Friday October 3, 2014. This is ‘why’ Henning ‘has’ to die.

After the title shot, we see Alan Henning in an orange Guantanamo-like ‘detainee’ uniform. He is knelt on the ground, hands behind back. Henning looks noticeably thinner than in his pre-captivity photographs. He looks up at the camera. This gives his face an especially plaintive and poignant expression. He is the very image of sorrow. I suspect that he’s the only innocent and honest man in this gallery of rogues. An original among counterfeits. He lacks the guile to comprehend the evil he has stumbled into (and by ‘evil’ I don’t mean the obvious contender for this label).

To his left, our right, stands the familiar man-in-black, the would-be decapitator ‘Jihadi John.’ This Jihadi John is not the same man who appeared in the earlier videos. His build is slighter, less athletic, less powerful. His gesticulations with his knife are less forceful and menacing. What we can see of his face looks different too. The hooded eyes of the ‘real’ Jihadi John are missing. These eyes are closer together. His voice, of course, is exactly the same but I believe the voice is dubbed. The emotions of the voice do not match the gestures of the body.

The familiar blowing wind is absent from this video.

Henning looks into the camera and speaks for a fraction over ten seconds, just long enough to say this:

I am Alan Henning. [pause] Because of our Parliament’s decision to attack the Islamic State [ISIS], I, as a member of the British public, will now pay the price for that decision.

About the only thing he seems sure about is his name. Hence the slight pause before reading words prepared for him, the implications of which he does not comprehend. He’s a long way from Eccles and Salford, Lancashire. He might as well be on another planet for all the sense it makes to him.

Henning’s 12 second contribution ends with a fade to black. Then his apparent executioner speaks:

The blood of [fellow slain captive] David Haines was on your hands, [British Prime Minister David] Cameron, Alan Henning will also be slaughtered but his blood is on the hands of the British Parliament.

Henning continues to look to the camera. He looks haggard and drawn. Fade to black.

This decapitation scene is different to the others in that it begins with Jihadi John’s right hand over Hennings face. We must assume that it’s him. He saws away at that neck, again with no evidence that the knife is doing what we imagine it is. A muffled cry is heard, but not from the direction of the victim. It sounds like something added post-production. Fade to black.

Then the evidence of the beheading. The camera pans left to right, from the feet to the shoulders. The severed head, which doesn’t particularly resemble Henning, is in the small of the torso’s back. As I argued earlier, severed heads are not difficult to simulate and only those who have suspended disbelief would accept this as proof of a decapitation.

Finally, in the final scene, a message to Obama. Another prisoner appears, the screen text tells us it is Peter Edward Kassig (American). Jihadi John:

Obama you have started your aerial bombardment in Sham (Syria), which keeps on striking our people, so it is only right we keep on striking the necks of your people.

As far as we know, Peter Kassig lives on.